Norwegian photographer Simen Johan. (I'm allowing myself some old favorites. I can indulge.) He explores relationships between real and the artificial or imagined, and works with composites. As well as allowing for dialogues with narrative and fantasy, his images also questions the authenticity of photography in the digital era. I love this guy. He rocks my socks off.
Sweet Station is a treat of a site to do some art surfing. I've spent a greater part of my morning finding some very, very good work here. Like this:
Zachary Zavislak (this reminds me a lot of my newest image, Anathema. I'm glad to see I'm not the only one who thinks sheep's heads make for good props.)
Unn-Therese Dida Sundet was born in Kongsberg, Norway (1980). She has a Bachelor of Fine Art, Fine Art Photography, with Honours, from RMIT, Melbourne. Dida works with a number of techniques, mainly photography, installation and sculpture. She explores cultural traditions of storytelling and the construction of transitional spaces and objects that lie between the familiar and the unknown. Her work unites all aspects of an extensive background in theatre, film and photography in both Norway and Melbourne. Her series ‘Down a Rabbit Hole’ (2008) was awarded two honourable mentions in the 2009 International Photography Awards.
Photographic Influences and Visual/ Conceptual Research